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Old 12-23-2012, 10:54 PM   #21
gbhq
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those are beautiful commissions, Dan always goes above and beyond!! seeing
those makes me want to get something else from him, he is very easy to contact and he thew in two signed comics last time. Its a shame IDW did not use him for something.
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Old 12-24-2012, 12:25 AM   #22
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That Leatherhead piece is epic! Awesome commission!
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Old 12-24-2012, 02:57 PM   #23
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The Casey Jones vs Slash is mine
http://www.comicartfans.com/GalleryP...236&GSub=95492
as well as the following Tokkah v Razhar.
Here is a link to that one:
http://forums.thetechnodrome.com/sho...&postcount=369


I got mine over a year ago, and was very pleased with everything. Dan was a pleasure to deal with and I would highly recommend anyone on the fence to dive in.

I would recommend requesting a some sort of background scene. For the Casey one I just asked about characters whereas for the 2nd one I asked for them to be in a junk yard and it added so much depth to the commission.
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Old 12-24-2012, 04:32 PM   #24
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Nice! Here's what Dan did for me


He's really awesome and a pleasure to work with. He even lets you refuse it if you're unhappy with how it came out.

Hey speaking of commissions does anyone have Chris Allan's contact info? I'd love to get one from him too.
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Old 12-24-2012, 04:59 PM   #25
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Daaaa-gum, somebody at IDW needs to start hiring Dan to do some TPB collection covers. That guy is just... wow.
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Old 12-25-2012, 01:08 AM   #26
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Quote:
Originally Posted by Spitfire View Post
Nice! Here's what Dan did for me
Spoiler:
Awesome piece. He showed me that one as a sample commission and it was extra affirmation that he was going to draw me one badass-looking Leatherhead.

Quote:
Originally Posted by oldmanwinters View Post
Daaaa-gum, somebody at IDW needs to start hiring Dan to do some TPB collection covers. That guy is just... wow.
Hear, hear!
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Old 12-26-2012, 12:12 PM   #27
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His new business email is danberger65@yahoo.com, but he will get around to checking the miragelicensing address as well - that's how I initially contacted him.
I've tried the yahoo email, but it came back as undeliverable

Is there any other way to get in touch with Mr Berger?!
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Old 12-26-2012, 04:05 PM   #28
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Originally Posted by Raph12 View Post
I've tried the yahoo email, but it came back as undeliverable

Is there any other way to get in touch with Mr Berger?!
That email should work, I was just corresponding with him last week thru that address... but you can also contact him at dan@miragelicensing.com, it just might take longer for him to reply.

Glad to see more people requesting his commissions!
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Old 12-27-2012, 04:44 AM   #29
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Tried it again...however this mailer daemon turns up:

This is a info message only. Your message remains in the server queue, the server will try to send it again. You should not try to resend your message now. You should not report the info message to unitymedia. If the mail server give up to send your message, you will get a non delivery report. If you don't get a non delivery report, the message was send successfully to the recipient.

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Old 12-27-2012, 06:41 AM   #30
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Tried it again...however this mailer daemon turns up:

This is a info message only. Your message remains in the server queue, the server will try to send it again. You should not try to resend your message now. You should not report the info message to unitymedia. If the mail server give up to send your message, you will get a non delivery report. If you don't get a non delivery report, the message was send successfully to the recipient.

dan@miragelicensing.com works for me. Copy and paste his work email from my post. Don't send an email from the highlighted link just copy it and paste it into your email send space. I am 100% it works from personal experience.
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Old 01-11-2013, 05:01 AM   #31
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Yeeeehaaaa!!! Just figured out a deal with Mr Berger..can't wait to get my hands on this commission
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Old 01-12-2013, 07:15 AM   #32
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Yeeeehaaaa!!! Just figured out a deal with Mr Berger..can't wait to get my hands on this commission
Great! I got commission info as well and will wait for the next paycheck to get some spending cash to use on it. What is your picture going to be?
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Old 01-12-2013, 02:04 PM   #33
Jay $tarkiller
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Did you also get a commission by Berger?! Or by somebody else?!

I'm getting a battle worn Raph on toned paper standing in a pile of skulls.
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Old 01-12-2013, 05:28 PM   #34
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Did you also get a commission by Berger?! Or by somebody else?!

I'm getting a battle worn Raph on toned paper standing in a pile of skulls.
I got general commission info from him on Wednesday. I will hold off on replying with a specific requestion until the last day of the month. I want to make sure all the college loans are taken care of and then with the next paycheck I can say hello to a toned paper commission by Dan Berger of Shredder and Rat King '87 cartoon style!

Does anyone know if Ryan Brown does commissions? He is the other Mirage Dude's style I like.
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Old 01-12-2013, 06:25 PM   #35
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When you say toned paper, do you mean duo-shade or just that the paper itself isn't white but another color?
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Old 01-13-2013, 12:54 AM   #36
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As Dan offered it to me, it was colored paper..what exactly is duo-shade?!
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Old 01-13-2013, 01:05 AM   #37
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It's a sort of paper (no longer made, though some of the Mirage guys have some laying around) that creates a cross-hatching effect when a certain chemical is applied to it. I've uploaded examples below. The first picture is a regularly inked piece on standard paper, the second was done on duo-shade paper. If you zoom in you can see the toned areas have these little lines running through them that add a sort of shadow effect, that's where the chemical was painted on with a brush. Most mirage books done by in-house artists feature it. http://imgur.com/a/jox1E
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Old 01-13-2013, 10:58 AM   #38
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Ok, yeah I remember a youtube video, in which Peter Laird shows on a Donnie sketch how this duo shade paper works...well I'm gonna post my commission here, as soon as I get it. I don't know if it's gonna be duo-shade or not. We'll see
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Old 01-13-2013, 10:01 PM   #39
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For my Berger commission I couldn't decide between the added inking detail & greytones given to B/W vs. the unique look of the toned paper with white highlights. Of course, Dan was awesome and gave me the best of both worlds by doing it on lightly toned paper, detail, greytones, highlights, and all!
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Old 01-13-2013, 10:09 PM   #40
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I originally went with toned paper on my first piece hoping the whites would really make the lines pop. They do, to some extent, but I found that compared to my other pieces displayed it was hard to see. I'd only suggest it if you're gonna have the piece framed in a well lit room (Mine is kept relatively dim).
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