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God, this was a gret movie, being a Flemming purist, I can accept the transistion much more smoothly than some fans, this is a much needed reboot, pretty much far darker in tone and less on the light-heartedness, and when there is some humour, it's in the slickest, sickest means possible. The torture scene is something I'm proud to finally see interpreted, as it's an essential peice of making Bond who he is.
Chris Cornell delivers the best Bond theme since "Goldeneye", and that pre-credits sequence is beutiful.
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