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Lady Writers on the TMNT
Was there ever a single female writer on the entire Mirage run? On Archie?
As an aside, were there ever any on the TV shows either? Or more than a few? If not, why? |
Steph Dumais did art on Tales Vol. 2 #41.
There was a short in one of the Tales Vol. 2 issues that was done by students at an art school, one of which was by a girl (was a gamera Raph story). |
Misty Taggart wrote a few episodes of the original toon. Most notable probably being the Tempestra episode.
Jack Mendelson's wife also co-wrote a few eps of the show too. |
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I think there was a woman who wrote a (terrible) episode of Fast Forward. I don't recall any others. Women have played a veryvery small role in the creative aspect and general operations of the TMNT. It's quite disappointing. |
I remember a big deal being made regarding the all-female creative team on the April Microseries from IDW. I wasn't sure why the fact that it was created by women was so noteworthy until... I thought about it.
Yeah, there have been very few female creators for the comics. Like, "count on one hand" levels of few. I think the biggest female contributor to the Turtle comics has been Mary Kelleher, who lettered a large number of Mirage and Archie books. But writer or artist? Not many. |
Ah, okay, I thought there were a few in the cartoons, but it's still a very small handful.
And I knew about Mary Kelleher, but lettering isn't the same sort of creative position. I also knew there was one on the short art-school Volume 4 story, but I couldn't remember if she was credited with art or writing. I think the lack of women doing art is one thing, but the lack of writers is especially disappointing. Quote:
The all-woman team on the April IDW issue, by the way, is news to me. I've fallen way behind on IDW. I'm really, really glad they did that. |
I wonder if Bobby sees this thread and decides to have more female writers do the one-shots or mini's.
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It would only be concerning to me if I believed that there were a lot of female writers over the years sending lots of pitches to Mirage and/or Archie and being told repeatedly, "No thanks" (like, disproportionately to the male writers they would also be saying "No thanks" to).
But I don't think that's the case. |
Ronda Pattison colors most of the IDW stuff.
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But even if we're not pointing fingers, it's a shame we never got another perspective on either series. Look at how many times April was, frankly, less than a real character. Look at Pimiko's, um, everything. And how many storylines pass the Bechdel test? Like, just "City at War"? Even Shadow and April hardly interact. Maybe it's not anyone's fault and it's just the way things were at the time (and still are). But we probably missed out as an audience because of it. That's all. |
Wasn't Mirage ran by a woman before Gary Richardson?
I'm unable to crack open a Volume 1 book at the moment, but I remember a lady being on the corporate side. We had Katie who filled our orders over the years! :D |
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Worth noting: one of the big rumors that began when IDW TMNT was beginning to churn was that pre-Tom Waltz they'd approached Gail Simone to be the ongoing writer. |
Caitlyn Kittredge would probably do a bang-up job! I've read a couple of things by her and really enjoyed it.
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Gail Simone on the TMNT comic? Well, I have enjoyed several of her comics, and would love to see her give it a shot. She's certainly a good writer.
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I'm not suggesting IDW go and find binders full of women or anything, or even that Mirage should have. I think it's just something worth talking about. |
I'm all for more women in comics, and would like to employ more, but I don't go out of my way to look for them... if they're a good fit, they're a good fit regardless of gender.
April micro was actually a complete coincidence. Marley, I just thought drew a cool April and wanted to work with. Barbara wasn't the first writer attached (I had actually worked with a guy on a proposal for a bit, but it didn't work out). Heather was recommended by Marley! I was happy it worked out that way, but it wasn't really planned out to be so. |
I knew I liked Bobby.
How prevalent are female creators in the industry at large? |
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Bobby, can you confirm or shoot down the Gail Simone thing? I've always wondered. I can't remember where I read about that... it might have even been posted by her on her Facebook. |
Yeah, I kinda got the impression that comics were kinda a "boys club" as it were. Not that women are barred from working in the industry...but there are few who actively seek it out as employment.
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It might have to do with sexism in the comic industry.
Look at Starfire's outfit in the comics, why would a real person wear something like that when you're in a battle? |
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And even when they don't have editorial pressure against their hiring, there's a pretty strong foundation of soft bigotry in comics that might push women away from even considering it, partly because of the industry's audience and partly because of its creators and content. Being a "boys' club," by men, for men, leads to some pretty off-putting stuff. It's something they still struggle with, particularly the big two, even if they're growing out of it. The video-game industry has the exact same problem, and I think it's one of the biggest mutual hurtles they face as far as elevating themselves above being considered a lesser media form. Also, the response from Bobby is much appreciated. I guess this thread shifted gears a bit, but I didn't intend for it to be any kind of condemnation of IDW. The series is still young, it's been good, and it's more or less been helmed by a single writing team, which I respect. From what I've seen, IDW as a whole treats women a lot better than the larger companies as well (ignoring Arcee). More than anything, I wanted to discuss the reasons behind a trend, and, in my opinion, problem, the first two comic series present. |
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In fact, it wasn't long ago that DC was made to look like fools a couple San Diego ComiCons ago when it was pointed out there was only like one female writing at DC. It was thrown back at the audience: "OK, fine. Give us the names of female writers who would want to work with us -- we'd love to talk to them!" And the whole crowd, you know, Room BCD or whatever it was, room full of like 2,000 people... and like two guys were the only ones who could offer up any names, and they were ones of indy-ground female comic writers who would more than likely have no interest in Batman or Superman type of fare. And after that Con they actively tried to seek out female talent (perhaps for the wrong reasons, but still, they did)... and two years later they're still right back about where they were to begin with.... not because there's some kind of imaginary "No Girls Allowed" institution in place, but just for the simple fact that there are virtually no female comic book writers interested in writing superheroes. |
Also, Pamela Burke wrote and sketched Practical Jokes that got canceled from Tales Vol. 2.
I always wonder if April was named after Rose O'Neill of Kewpie fame if Jack Kirby was referenced. But although there is still lots of progress to close the gap, the number of female comic contributors has noticeably grown in recent years. |
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Somebody get a binder.
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I think, anyway. I'm not actual a woman comic book reader, so maybe someone who is could clarify or correct me. But that's the impression I get from the blogosphere, etc. and just looking at a lot of the stuff DC, Marvel and Image have put out over the last ten years. Again, IDW seems to be a lot better when it comes to this. And again, this doesn't really explain the near complete lack of women on both Mirage's guest-artist run or Tales Volume 2, which I'm still kind of curious about. It probably was just that they didn't get enough pitches. Or they didn't recruit any women artists like they did some of the guys during the guest-artist days. Either way, it's kind of unfortunate. Quote:
-- EDIT -- Look at me, backin' up my posts with sources -- So, yeah, even as of their recent relaunch, DC was still engaging in pretty offensive trends with its women characters, and seems to be addressing it in part by making a concerted effort to balance creative teams, in part just by acknowledging that it's been a problem. Oh, and here's this other piece talking about the systematic alienation thing. A lot of it remains with audiences simply to request more balanced content and not tolerate the soft sexism, though, which is why it's cool to notice things like this in the series we read. |
Well let's ask this, how many women actually WANT to write for TMNT comics?
A lot of female writers probably have no idea what TMNT is about outside of knowing it was a cartoon phenomenon in the late 80's. |
It's sort of interesting to note that most TMNT fan-fiction is done be females yet there seems to be very little interest in with these folks wanting to pursue anything official. Not that I'm complaining since I think most fan fiction is terrible, but still.
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But the reasons you list as to why female writers would not gravitate towards mainstream comics is valid. But the problem remains... such as mainstream comics has existed since time immemorial, it's not a thing that attracts them. |
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My own stories I've written have had more to do with character development than actual fighting situations. That could be a factor as to why there's fewer women writing/drawing for the comics... |
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Only very recently have they begun to address this. Gail Simone did her whole "Women in Regrigerators" thing as late as 1999, and complaints over the overly objectified New 52 characters came just last year. If the articles I've been reading are any indication, there is a female audience for superhero comics with a balanced gender portrayal, and more creative teams to come from that. |
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Okay, that's fair. Superhero comics are the face of comics for most people, so I guess TMNT's problem is the same as the industry's problem. -- the female talent pools are thin because the medium never did much to attract them. Especially in action genres, of which TMNT was always a part and from which it always pulled its talent (that or comedy). So I just hope that changes, and I'd argue that it can with some conscious thought from both readers and creaters. |
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this is a big topic that's very important to me that is too sprawling to get into too deeply here, but one of the big obstacles regarding this, and one of the reasons i believe it IS important to seek out female talent, is because since American comics has traditionally been a male-dominated field, many potential women creators don't know the opportunities exist in the first place, they don't feel it's accessible to them, or they feel unwelcome by the "boys' club" element happening in comics. i still hear stories from colleagues who meet girls or women who are surprised that women draw or write comics, they had no idea that it's even a thing because the common perception is that comics are for boys. it's changing, of course, the manga boom a while back helped a lot, for example, now the webcomic option is huge, i know a ton of women in comics and lots more i don't know personally, and i'd say things are better than ever but there's still an issue. another thing similar to the Gail Simone anecdote: when i was slated to draw the new TMNT comic series for Dark Horse before that fell apart, the main writer we talked about was Jen Van Meter, who did Hopeless Savages for Oni Press (and with whom i worked with on Hopeless Savages vol. 3, my first published comic work ever back in 2002-2003) and some stuff here and there for DC and Marvel (i think she wrote a Black Cat book and some JSA stuff). anyway, you rock, Cipher! these sorts of topics are great to discuss. |
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