| ProactiveMan |
04-21-2016 10:39 PM |
Quote:
Originally Posted by turtle1237
(Post 1571362)
The Magnificent Seven was a rip off of the Seven Samurai though.
It was almost said word from word from the 1955 film. It was kinda of hard to watch after seeing the Seven Samurai.
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It's an adaptation of Seven Samurai, I'm not sure I'd call it a rip-off exactly, and it's not word for word - Seven Samurai is in Japanese. :P
If I can stand up for westerns for a second, I think that they are kind of like super hero movies; at face value they are a bit silly, but their value or virtue comes from subtext. Much like super hero movies, sometimes the subtext isn’t there and your left with melodrama in funny costumes, but when it works, a western can be as profound as examples of any other genre.
Saying the western is a celebration of cultural imperialism is like saying the super hero movie is a celebration of fascism. Sometimes they get pretty close, but a lot of them explore these ideas quite thoughtfully, and are often critical of Western ideals and history. In fact many westerns seem to be about cultural change and transition, and the end of the ‘Western’ era. The American West is almost presented as a failed state. A place that was founded on dreams and ideals that turned out to be BS.
I come from a part of the world that shares many similarities to the American West (as depicted in film anyway). It’s hot, dusty, the earth is red and not particularly fertile, and people came here to start a new life and/or to find their fortune. We share a similar past regarding violent displacement of native people and cultural assimilation thereafter, with the additional baggage of, shall we say, involuntary emigration, colonialism and postcolonialism. Maybe that’s why I’m attracted to westerns; they help make sense of the confusing undercurrents that I live on top of.
EDIT:
Quote:
Originally Posted by Spike Spiegel
(Post 1571452)
Haha, you are right.
Also, "Fistful of Dollars" is a remake of "Yojimbo" if I remember correctly.
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Now that was a case of a deliberate rip-off. Leone didn't have the rights to adapt Yojimbo, and his movie is almost shot-for-shot in some cases. Kurosawa wasn’t happy about it either.
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