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#721 |
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Banned
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Location: nWo Country
Posts: 27,703
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I prefer it when his parents are alive.
I'm a sucker for all that sh*t where after he punches out Metallo, he goes home to pick up a new cape from Ma, who always has a bunch already made... him and Pa fix a fence and throw some new tires on the old truck, and then they go have a slice of Ma's apple pie while they talk about what a rat bastard that Lex Luthor fella is, and boy how he's gonna get it one'a these days. They used to do that stuff all the time, and it was always so great seeing him just decompress and relax. "Hey, Dad... nothing's blowing up right now, why don't we sit on the porch and watch the sunset. Y'know I was on the moon this morning? True story!" That stuff is so great, and they don't do it as much when one or both of his parents are dead. He gets all "alone" and angsty and I don't like it. I like that he at least hangs out with his Mom a lot in the new movies, apparently. It's nice. ------------- And calling the Reeve film trash is totally wrong (the first one, anyway... it's arguable about the rest). It's fine as its own thing and it's probably the best singular and self-contained Superman movie that ever will be made. I just don't like that aside from Him, everything else is light years away from the comic it's supposedly based on (which I'm easily forgiving of, by the way... they wanted to do the comics, and they tried to very early on in the scripting of it, it just would've cost a billion dollars back then, so they made the movie they made, and That's Fine). It's a really great movie and if you just ignore the sequels and the fact it's a total departure from the source - kinda like Keaton's Batman - then it's really good and (clothes aside) it's not that dated. It's not my personal favorite overall, but it works far better as its own complete film, way more than anything they've done since. There's no arguing that. I mean, I'll defend MoS all day long, but the fact is that a movie that's overly-reliant on its sequels to tell its story did NOT do ALL of its job. Last edited by Leo656; 07-17-2015 at 12:54 AM. |
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#722 |
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So Long, Stinktown!
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Location: Canada
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Oh god, me too. It grounds him. The loss of Krypton is enough tragedy already, and keeping that connection to his folks and Smallville helps humanize him a ton. I like a Superman that can fit in as a global superhero, a big-city reporter and a humble farmboy.
But if you have to do the "Pa dies" thing, it should be meaningful and have purpose. And I think the point made with the heart attack is easily the best way that's been done.
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#723 |
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Banned
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Location: nWo Country
Posts: 27,703
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Aww... Not when he heroically rescues Ma from Brainiac?
![]() Sometimes comics accidentally make certain moments "bigger" than they ought to be. |
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#724 |
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The King of Kings
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Location: Chicago Illinois
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Probably not but who knows? What's hilarious is how blinded people are by nostalgia.
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#725 | |
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So Long, Stinktown!
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Location: Canada
Posts: 3,463
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Quote:
That's kind of my major preference there -- if Pa has to die, then make it in as "human" a way as possible. "All those things I can do. All those powers. And I couldn't even save him" holds up for a reason. And compared to him being killed by a freaking tornado, it's downright subtle. We definitely disagree on Man of Steel. That's okay! I pretty much hated it, but I can see how it could have turned out more to my tastes if certain creative decisions went a different way. I felt like it was way too dour (in tone and colour palette) and there were those key sequences that just didn't jive with "my" Superman. But... fix the Pa Kent stuff, brighten the colour scheme, inject a little more lightheartedness overall and tone down the disaster porn, and I'm all in. Superman Returns had its share of problems, but if Snyder showed some restraint with the mass destruction and injected some more of this kind of stuff to balance things... ...that would have gone a long way for me. (Or, hell, even further back -- Superman II had Superman stop his fight with Zod to save civilians from falling debris!) And maybe find a way to not have Superman straight-up murder a dude. He can still die -- but they could have been more clever than a neck-snap. Just my opinion. And others can be just as blinded by a need to reject all "nostalgia". Times change, styles and tastes change, but there are some things just always work. IMO, Snyder's need to be as tonally distinct as possible from previous Superman movies was throwing out the baby with the bathwater.
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Last edited by Bry; 07-17-2015 at 12:14 PM. |
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#726 | |
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The King of Kings
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Location: Chicago Illinois
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Quote:
Also, there's nothing blinding about ignoring nostalgia. It just means your judgment isn't clouded by personal feelings towards something.
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#727 |
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Overlord
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I'm mostly watching this movie for Batman anyway, and I imagine most are. Whatever they do with Superman is secondary to me.
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#728 |
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Stone Warrior
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He was Superman for about 24 hours when he fights Zod. In Superman Returns he'd been Superman for years. Why is this ignored?
Also why isn't anyone upset about the rumored Spoiler:
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Oh you don't like my opinion? ---->
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#729 | |
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The King of Kings
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Location: Chicago Illinois
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Quote:
As for the spoiler, I don't mind the change. It's fine for a different take. That is, if it's even true.
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#730 |
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Jedi Master
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Location: JLA Satellite Headquarters
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Spoiler:
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Michelangelo: This looks like a job for the Teenage Mutant Ninja Turtles! Raphael: Sheesh, Mikey this ain't a cartoon! |
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#731 | ||
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Banned
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Posts: 3,954
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Quote:
I agree with your opinion in the spoiler. Spoiler:
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A good writer doesn't need to de-power him, or use Kryptonite, or alter the character to fit the story; they should instead write the story that fits the character. But It's symptomatic of your generation - everything needs to be about you, a representation of you, how you feel, what you want who you are. If you can't identify with the character then it's wrong. if you don't see a 100% inclusive cast of all ethnicities, it sucks. Every thing must be a representation of everyone all the time. It's sad actually. With so many restrictions to the type of story's that meet the criteria of the moral police, it's no wonder every film is exactly the same. You might be happy they changed Superman - and that's fine, but recognize that they are changing him, and tweaking it to mirror Gen Z's hopeless narcissism. Last edited by Commenter 42; 07-17-2015 at 09:40 PM. |
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#732 |
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Banned
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Location: nWo Country
Posts: 27,703
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Spoiler:
Bry: Returns has the best-shot and most dramatically exciting action scenes of any Superman film. People don't like to admit that, but it's true. Visually, there's very little wrong with the movie. It's my personal favorite film in the franchise for a lot of reasons; although it mostly squeaks by over the first one on points. It definitely had the best visual use of all his powers without flat-out breaking the rules and making up new ones, like all the earlier movies did. One thing I don't think enough people are factoring in, that's almost assuredly deliberate, is that the visual tone of this series is "dark" for a reason. They're doing the same thing they did in Nolan's trilogy where each film gradually gets lighter and brighter as the hero "rises" from the darkness. In this universe, it's being used to help put over that this world, pre-Superman and pre-super-heroes, is a dark and uncertain place. Gradually, as we can see right away in this film, the color scale starts to change and get brighter, until the point where the JLA will eventually stand before humanity as its protectors. The heroes themselves are the "light" in this universe; as we get deeper into the films, the lighting and colors gradually change. The whole "It's Darkest before Dawn" thing. I don't have a link, but I definitely read something on it; the general feeling in doing it was, "it worked in the last trilogy, let's do it again". It may not be to everyone's taste but at least there's a reason for it. It's the entire idea behind calling the film "Dawn of Justice". They're not exactly subtle about that kind of thing. Meanwhile, I *did* stumble upon a Spoiler that makes me a little bummed out. There's finally something I'm 100% against in this thing. It's related to the Robin costume, to give you a hint before you decide to click the tab or not... Spoiler:
I get it, I totally get it... "keep it simple" and all that, plus the fact they never ever want to even use any of the Robin stuff at all anyway... and it's not gonna kill things for me... but it would've been nice. |
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#733 |
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Jedi Master
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Location: JLA Satellite Headquarters
Posts: 11,189
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Spoiler:
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Michelangelo: This looks like a job for the Teenage Mutant Ninja Turtles! Raphael: Sheesh, Mikey this ain't a cartoon! |
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#734 | |
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Annalist
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ALL THEIR DAYS ARE NUMBERED
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#735 |
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Banned
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Location: nWo Country
Posts: 27,703
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Spoiler:
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#736 |
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Jedi Master
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Location: JLA Satellite Headquarters
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The headstone in that case could be John Robin Blake if that is the case. He is expendable.
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Michelangelo: This looks like a job for the Teenage Mutant Ninja Turtles! Raphael: Sheesh, Mikey this ain't a cartoon! |
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#737 |
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Banned
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Posts: 3,954
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I read another story today... Lots of people are thinking this, if Facebook is any indication. WARNING could be a massive spoiler of all the Spoliers to spoil! The ultimate Spoiler of spoilering spoil. Possibly not true at all...but it has a certain logic to it. Spoiler:
Last edited by Commenter 42; 07-17-2015 at 09:53 PM. |
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#738 |
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Banned
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Location: nWo Country
Posts: 27,703
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I read that too but I don't buy it. I was wondering how many other people heard that one. I'unno, just don't feel it in my gut.
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#739 |
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Overlord
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I seriously doubt that is going to be the case. I can definitely see them want to use Nightwing eventually. He's never been exposed in movies and I can see him being handled better than a young kid Robin in serious movies like these.
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#740 | ||
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The King of Kings
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Location: Chicago Illinois
Posts: 2,931
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Quote:
Spoiler:
Quote:
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