Quote:
Originally Posted by Xiewin
I don't understand why it's a bad thing for Raph to be a bit light hearted and playful. He isn't always just an angry and rude character.
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Because in one moment he is a 'gruff, Batman-voice, I want to Leave' type of character...then it's "I'm dancing in an elevator"?
If you're going to do that, then you need decent writing to either build that up, make that type of transition more smooth, or something called 'character development' as in 'a character changing throughout the course of a story in a manner that actual makes sense, whether logically or emotionally'.
If you had stuff of him being a prick to his brothers...then, when they are taken, he's hoping that his brothers' are OK and not hurt...then being glad that they're not harmed and safe....then you could transition into 'ok, I will loosen up and not be so moody'. It seems there is zero transitions for anybody in this film.
And just because it's a film 'produced by Michael Bay', doesn't mean it can't have stuff like that which is part of Basic Story Telling