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#21 |
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Weed Whacker
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Location: Auburn, WA
Posts: 34,574
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It's good that it was cut. This way, Judith Hoag still gets paid (we all want that) yet she still manages to dodge the bullet of embarrassment of actually appearing in the finished film.
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#22 |
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無問題
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Location: Moesko Island, WA
Posts: 14,348
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It's just a damn dead horse at this point.
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#23 |
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Foot Elite
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Posts: 3,009
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To really sell it she should have winked at the camera after she said that under a sign saying in caps "PLEASE LOVE THIS MOVIE".
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#24 | |
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So Long, Stinktown!
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Join Date: Jan 2003
Location: Canada
Posts: 3,463
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...was the whole movie like this? It's like it was cut out of some forgettable, generic rom-commy spy movie or something. Like the writers were so impressed by twisting the "kiss to evade detection" trope (which is... not an impressive feat, at all) and called it a night, doing absolutely nothing to sell the characters, the scene, or add any personality to the movie.
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I still have no idea why Amell was ever cast to play characters with dynamic personalities like Ollie Queen and Casey Jones. He has exactly none of that, and doesn't seem like he's especially capable of faking it. Aside from being a pretty-blandly good-looking guy that a lot of people are attracted to, I really don't get his appeal as an actor at all.
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#25 |
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Team Blue Boy
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Location: U.S., East Coast
Posts: 16,296
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It's a pretty good hint at the general demeanor and 'depth' of "April" and "Casey" in this film, yes. They never exactly get real deep. At all. Pretty much as deep as an almost dried puddle. The Turtles is where any emotional depth is. (Which I don't mind so much as I prefer it's with them... but most of the humans are kind of dull.)
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